Jenna DeVries has once again proven that she’s not just an artist but a voice for the marginalized with her latest single, “Hell Is Real.” This voting anthem taps into deep-rooted cultural issues, addressing the long-standing beliefs that often ostracize communities. In her own words, DeVries says, “I don’t understand the concept of hell and truly never have… A loving god doesn’t send people to be tortured for eternity.” This bold proclamation sets the tone for a song that aims to challenge not only religious dogma but also political complacency.
DeVries is known for unapologetically using her music as a platform to confront divisive topics, and “Hell Is Real” is no exception. With its sharp critique of hellfire-and-brimstone ideologies, the song speaks directly to those who’ve been shunned or condemned due to their identity, whether because of their sexual orientation, beliefs, or other personal traits. DeVries continues, “This is an anthem for all my LGBTQIA+ family, black sheep, and other outcasts who have been damned to hell a time or two. The ones who were kicked out of their communities or abandoned by loved ones because of religion or politics.” In doing so, she crafts an anthem that serves not just as a rallying cry but as a lifeline for those who have felt ostracized.
Produced by Jen Miller and Pete Eddins, and with the rest of her upcoming project Prosperity Gospel set to be produced by Don Miggs (known for his work with Dolly Parton, Steven Tyler, and Mick Fleetwood), “Hell Is Real” is the lead single from DeVries’ forthcoming second full-length project. The track has already garnered attention from major outlets such as CMT, Apple Music, and The Academy of Country Music, and fans are eagerly anticipating the rest of Prosperity Gospel to be released throughout this year and next.
DeVries’ dedication to storytelling through her music is matched by her commitment to advocacy. As one of Nashville’s most creative and original voices, she has consistently spoken out on issues that are deeply personal to her and her fan base. This track is another extension of that, empowering listeners to stand up for their beliefs and their communities. But it doesn’t stop there—DeVries links this message directly to the political sphere, reminding fans to get out and vote: “Remember to get out and vote—because if we don’t see a blue wave, then hell just might become real after all.”
Beyond her boundary-pushing lyrics, DeVries is carving a path for queer representation in country music, where such voices are still often underrepresented. She is a fierce advocate for the LGBTQIA+ community and recently launched The Outlaw Collective, a monthly showcase designed to uplift and celebrate LGBTQ+ artists within the country music scene. This initiative has already been featured on platforms like Today in Nashville, offering artists a space where their identities and artistry can be celebrated without compromise.
Jenna DeVries’ musical journey is filled with milestones that showcase her growth as an artist and her increasing influence. She made her debut on WSM’s Opry Radio following the release of her first self-titled LP, where she shared the stage with fellow artists like Adam Mac and Brady Riley. Additionally, she was featured on Apple Music’s New in Country playlist, which underscores her rising profile in the genre. Her 2023 release “Rhinestone Cowgirl” as part of her Pride celebration solidified her as a fan favorite, and her duet with queer country star Adam Mac, “Chapel,” premiered on The Boot and soared on the CMT Music Television charts, alongside names like Keith Urban and Chris Housman.
Earlier in her career, DeVries caught the attention of the industry with her breakout single “Daddy’s Little Heart Attack,” which earned a spot on CMT’s Next Women of Country playlist and on Wide Open Country’s must-hear new songs list. Her collaboration on “Drunk Girls” with Harper Grae amassed over a million streams on Spotify and garnered coverage from outlets like People Country and Viacom.
Her artistic vision is one of inclusivity, representation, and bold self-expression. Through her music and her initiatives like The Outlaw Collective, DeVries continues to break down barriers and push for greater representation within country music. In “Hell Is Real,” she’s not just creating a song—she’s making a statement that speaks to her commitment to her community and her drive to create a more inclusive world.
With the upcoming release of Prosperity Gospel, Jenna DeVries is poised to continue redefining what it means to be a country artist in today’s ever-evolving landscape. Keep an eye on her—you won’t want to miss what comes next.
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